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I Went To Film School - Reviews and Such

Suicide Kings


Oh man, did I like Suicide Kings as I was watching it. The premise was awesome, the execution was good, and it felt almost like the movie was made for me... or so I thought. To express my experience as an exaggerated metaphor, this movie was an awesome cross-country road trip to Disneyland, only upon arrival you discover it had burnt to the ground. I'm not sure who the ending was made to please, but it entirely derailed by enjoyment of the film.


If you ignore the last twenty minutes, Suicide Kings is an excellent movie. The dialogue was highly constructed, but stayed true to the characters and remained entertaining throughout. Sure, there were parts where it was trying a little too hard to be Tarantino-esque, but that tone matched everything else. That's what made the end so infuriating. If it had been handled properly, this may have become one of my favorite movies. Sadly, after everything falls apart all that remains is an above average crime thriller with some interesting scenes.

All of the actors were adequate, but Denis Leary and Christopher Walken really steal the show. These criminals are smart, ruthless, and funny, reminiscent of the characters from Pulp Fiction. Throughout this movie, is Leary was on the screen, I was a happy man because I knew something awesome or funny was about to go down. These criminals act as a perfect counterbalance to the melodramatic college kids that occupy the rest of the movie, and really made the "leave the crime to the criminals" theme come to life.


Overall I would still recommend the movie, but certainly don't anticipate a great payoff at the end. Any enjoyment someone will be found in the characters or dialogue, certainly not some revelation at the end. The experience is a good one, but I'm saddened that all of the promise was ultimately disappointing.

7.0/10
58
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Philadelphia


Alright, just to get this out of the way, I believe Philadelphia is an incredibly important film that did amazing things for AIDS awareness at a time when it was most needed. Because of the brave way it deals with such hot-button social issues, the film deserves all of the praise it gets and more. The movie is a fantastic one, and I would recommend it to anyone. This being said, (raises flame shield), I did have quite a few issues with the film's execution.

Director Jonathan Demme makes his hand felt several times throughout the film. Rather than becoming totally immersed in the narrative, several times atypical shot framing or jarring cuts called attention to themselves, acting as a distraction. Whether it was intentional or not, I kept finding myself asking why Demme chose a particular shot style rather then using an "invisible" editing style that didn't take me out of the narrative so much.

To call the performances excellent is an understatement. Tom Hanks is at the top of his form, Denzel Washington is perfect, and even Banderas demands attention despite his relatively small role. Actually, the actors in this movie are so good that it annoyed me how much the directorial style distracted from them. The movie was still very good, but if handled just a little differently it could've rivaled The Shawshank Redemption in terms of quality.

I guess these complaints aren't that important since the turned out great, but I honestly feel that with only a few minor changes it could've been much more than it was. Despite my annoyances, making such a film at such a time was an incredible step forward. The exact kind you wish Hollywood took more often.

7.5/10
92
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The Matrix


The first time I saw The Matrix, I was amazed. The shots were great, the plot was interesting, and no matter how ridiculous things were I bought it from beginning to end. The sequels weren't anything special, and other than one or two sequences I will probably never watch them again, but the original deserves its prestige.

The fantastic thing about the movie is that I've seen it numerous times, but even watching it now feels like the first time. Sure I actually know what's going on this time around, but I still marveled at the execution in terms of both story and effects. I'm not entirely sure why this hacker is taking pills from some guy he met online in this weird abandoned crack house, but I'm too engrossed to worry about things like that.

The bullet-time elements might be a little played out, but most of the effects are still mesmerizing. Look at all the other timeless sequences: the gunfight in the lobby, the scene where the aisles of guns appear out of no where and they arm themselves, every time Hugo Weaving speaks, and especially the scene where we find out what the Matrix really is. Seriously, how can anyone deny that this movie is anything short of spectacular?

If you haven't watched the film in a while, do yourself a favor and check it out again. Not only does it hold up incredibly well, but it washes away some of the bad taste left by the sequels. It's like watching Empire Strikes Back again to give George Lucas a pass on the dialogue in Attack of the Clones.

9.5/10
97
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Toy Story 2: Can Toys Sell Out?

July 7th 2010 15:01
toy story 2


With the third movie getting so much attention, I figured I should watch Toy Story 2, as I never got around to it when it was new. I had heard good things, but had no real idea what to expect. It was a fine film, but I just didn't feel the magic I felt the first time. It just wasn't necessary and to be honest, it felt like a cash-in more than a proper sequel.

The movie is still better than a majority of animated films out there, but I suspect people are more lenient on this one because it is part of the Toy Story franchise. Don't get me wrong, it's still a good movie, but the original was far superior. Toy Story 2 feels like the plot is composed of ideas that didn't make the cut the first time around, and have been polished up by Pixar to make them good, rather than amazing.

On the positive side, just like very other Pixar film, the voice acting is top-notch. The animation is beautiful, and the use of objects is quite creative, although occasionally the film reuses gags from the first one a little too much. The plot deals with more emotional battles this time around, and although a lot doesn't "happen", it stays interesting throughout.

Toy Story 2 is a fine addition to the series, and although I wasn't quite as charmed as I was the first time around, this film is still miles above most of the tripe that passes for children's films these days.

7.5/10
85
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Mission Impossible


It's always a fun experience re-watching the movies you loved when you were younger. Some of them hold up, many of them don't, and you realize just how much your tastes have changed in fifteen or so years. At the end of the day, Mission: Impossible has some cheesy elements, but hasn't aged too badly, which is a rarity for any film that deals with technology this much.

The characters are mostly forgettable, except for the few that actually matter to the story. It might be incredibly superficial, but this movie really isn't about portraying some grand narrative, it's about stringing together some cool moments in a somewhat believable manner.

Brian De Palma doesn't have the best reputation these days, but this time around he nailed an appropriate tone. Despite being somewhat of an action spectacular, the film uses tension very well in several scenes, the most memorable of which being the infamous "descending into the super-secured vault through the air vent" sequence, which has since been parodied more than The Matrix's bullet-time. The editing and execution of these important sequences breathe a ton of life into the film, and allow it to hold up more than your average action flick.

Although spy movies don't always age well, surprisingly enough Mission: Impossible stays every bit as watchable as it once was. Even if you've never seen it before, the movie is a good way to kill a couple hours. Whenever you have a protagonist battle a helicopter while clinging to the top of a train, you know you've in for a fun time.

7.0/10
120
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The Fisher King


Although I enjoy them, I feel most Terry Gilliam movies are overrated. They can be incredibly creative and visually interesting, but sometimes they feel like they're being weird just because they can. The Fisher King isn't too exaggerated in this regard, but the film felt inconsistent and unsatisfying


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103
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Bringing Out the Dead


I know I was supposed to like Bringing Out the Dead, but it just couldn't win me over. Martin Scorsese is a brilliant filmmaker, this movie looks fantastic, but I really didn't care about what was happening. It makes you feel bad when something has such an incredible style with a lame story, but I guess that's why you don't see horses dressed up in designer gowns too often


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96
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Point Break: Broken and Pointless

June 8th 2010 18:28
Point Break


I'm not sure what the hell Point Break was trying to accomplish, but it certainly didn't work for me. The plot was ridiculous (not in the good way), the acting was rough (not in the good way), and the whole film left me asking questions (not in the good way). I wasn't confused because the plot was complicated, I just couldn't figure out how the dumbest cop on the planet managed to make it into the FBI


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144
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mercury rising, Bruce Willis


At a glance, its not obvious where Mercury Rising went wrong. The cast is strong, the concept solid, and although it was never going to be a masterpiece, it had the potential to be an exciting thriller. Unfortunately, the entire film collapses in on itself like a house of cards, only made out of cliches and predictability


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87
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The Ninth Gate


Mystery movies can be pretty hard to pull off, so any attempt should be admired. Some audiences will never understand what's happening, some will figure it out all too quickly, but in the riddle itself shouldn't really matter. Movies are all about the ride anyway. Sadly, The Ninth Gate wasn't a ride, more of a crash


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131
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The Replacements


The Replacements has got to be one of my favorite football movies of all time. Rudy was inspiring, Remember the Titans dealt with important social issues, but The Replacements just made me want to go out and play. In terms of plot and structure, it's an entirely predictable genre film, but that doesn't mean it isn't enjoyable to watch


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74
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Shaft: Not THAT Bad a Mother

May 26th 2010 20:53
Shaft


I'll admit my knowledge of the original Shaft films are pretty much limited to the theme song and trailers, but I feel that's all anyone needs to know going into this movie. Yes, the plot is kind of silly and quite uninteresting, but that doesn't matter as much as you'd think


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78
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I've decided to switch up the format for these reviews a little bit, condensing my input to a paragraph and a score, and composing the rest out of hilarious quotes from other reviewers. I'm not married to any specific format, just looking to mix things up a little, so please feel free to comment with any suggestions.

Under Siege

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93
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A Bronx Tale: My Two Dads Did Okay

April 23rd 2010 03:35
A Bronx Tale


A Bronx Tale is not gangster film, but a coming-of-age tale that happens to feature mafia-type characters. We've seen these guys before: the boss who rules the neighborhood, the kid who wishes to emulate him, the crazy friends that get him into trouble, and a father who is trying his best to raise his son to live an honest life. They're archetypes yes, but A Bronx Tale stands out by taking them in fresh directions


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90
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Scream


Scream might be a classic, but it's an overrated one. It may have caused the resurgence of the teen slasher film, I Still Know What You Did Last Summer is nothing to brag about. It tries to be an intelligent film, but if you take away all of the charm provided by the postmodern elements, there isn't much of substance left


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139
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